Cavern painting of a pony from the Lascaux caverns, around 16,000 BP

In Byzantine and Medieval craft of the Western Middle Ages, much craftsmanship zeroed in on the outflow of subjects about Biblical and strict culture, and utilized styles that indicated the higher magnificence of a brilliant world, for example, the utilization of gold in the foundation of canvases, or glass in mosaics or windows, which additionally introduced figures in admired, designed (level) structures. In any case, an old style pragmatist custom persevered in little Byzantine works, and authenticity consistently filled in the craft of Catholic Europe. ----

---- Renaissance craftsmanship had an extraordinarily expanded accentuation on the reasonable portrayal of the material world, and the spot of people in it, reflected in the corporeality of the human body, and improvement of a deliberate strategy for graphical point of view to portray downturn in a three-dimensional picture space.